PLEASE NOTE: This website uses cookies to help us give you the best experience when you visit our website.
By continuing to use this website, you consent to our use of these cookies.
Close this one-time pop-up message to accept, or learn more about it: visit https://www.cookiechoices.org/#resources
got cookie, THANK YOU!
Journal · 2017 · 2016 · 2015 · 2014 · {and before that

Butcher Mind Collapse

Night Dress

https://www.inkoma.com/k/k.asp?id=3590

(9tx CD, 38'17'' - Bloody Sound Fucktory, Mescaleros Crew, Lemming, Takemetamars, Sweet Teddy, Brigadisco, Musica per Organi Caldi, Ashame, NoFi rec 2011)

 | pall youhideme
permanent link copied to clipboard
Latest Butcher Mind Collapse's release - second full-length record - is probably their first step into a mature sound-production, which finally provides them the best glue to keep hold their multi-form nature made of spasmodic new-wave jazz (Flamless Hell), schizoid post-punk (The Forgetter guitars sound like performed by Daniel Ash) and drunken versatility alt-metal à la Mike Patton.
The obsessive rhythmic lines of Complicity, the voodoo rock-a-billy cut of Killing a Fly With a Sword, the frenzy with Guilty, the epic doom curvatures of Spiderwebs, - they get a cauldron full of psychotic, paranoic arrangements, where Jonathan Iencinella's vocals, deep or even guttural, grave and aroused, embody the band's spectacular freak-show.
Visions of grotesque, psychedelic digressions like gentlemen's cigarettes smoke in the air, lifless watching a slow-motion pole-dance (The Loss), mexican junk food on tables (Coming Times) served by vampire babes: - the band on stage, while someone gets choked behind you, well, is Butcher Mind Collapse. And the reason why you feel a little dirtier now.

.·´¯¯`·. .·´¯¯`·.
° ° /_ .K ..·
·.. º .·

L'ultimo disco dei Butcher Mind Collapse, capitolo numero due, è probabilmente il primo passo in una maturità di produzione sonora più che dovuta per far fronte alle loro intenzioni di collante alla multiforma di spasmodica jazz new-wave (Flameless Hell), post-punk schizoide (le chitarre di The Forgetter sembrano suonate da Daniel Ash), e ubriaca versatilità alt-metal à la Mike Patton.
Le line ritmiche sincopate di Complicity, il taglio voodoo del rockabilly di Killing a Fly with a Sword, la frenesia dietro Guilty, le epiche curvature doom di Spiderwebs, - i Butcher Mind Collapse riempiono un calderone di arrangiamenti psicotici e paranoici, dove la voce di Jonathan Iencinella, profonda o anche gutturale, grave ed eccitata, incarna lo spettacolo freak-show della band.
Visioni del grottesco, digressioni psichedeliche come fossero fumi di gentlemen nell'aere che osservano senza vita una pole-dance al rallentatore (The Loss), cibo spazzatura messicano (Coming Times) servito ai tavoli da conigliette vampire: - la band che vedete su palco, mentre qualcuno dietro di voi si strozza, beh, sono i Butcher Mind Collapse. E la ragione perchè Vi sentite un pò più sporchi ora.

read less 
read more 

Feedback:

not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.

Leave a feedback about this post, or don't.
your sweet name:

your IMPORTANT text:

url:

icon: will be resized 30x30pxl