PLEASE NOTE: This website uses cookies to help us give you the best experience when you visit our website.
By continuing to use this website, you consent to our use of these cookies.
Close this one-time pop-up message to accept, or learn more about it: visit
got cookie, THANK YOU!
Journal RSS journal posts · 2022 · 2021 · 2020 · 2019 · {and before that



(9tx DGTL, self-prod. 2019)

 | pall youhideme
permanent link copied to clipboard
Second chapter for italo-spanish two piece Radament, that is, percussionist Giorgio Fausto Menossi and pianist  Juanjo Fernández, meticulously blending the perfect chemistry of jazz romance, tinted with more contemporary electronics. 
Based in Barcelona, Spain, still on tones of grey on their cover art, piano and drums dynamically twirl in front of themselves like two perfect parallels in a vortex of enthralling melodic solutions: that's Beatus Ille, a piece which continually grow and grow with intelligent pauses and dramatic dilatations. 
Later, Danza Involuntaria - introduced and closed by a buzz abrupt, - soon begins to run along a spiral staircase of tormented elegance, languid and restless at the same time. Ensimismado bends somehow to Bill Evans' soliloquy, this, just to denote how Fernández can richly speak to the listener's heart both eloquently and minimal through his piano. Like as well for Claroscuro: it makes you want to float and fall through this hypnotic as fascinating spiral.
Vivacious and bittersweet with Dithiramba, Otro Día, Menossi wisely weaves and nitches his drumming to the piano, never being forceful the vehemence of this brilliant togetherness. A firm rhythmic support indeed.
An absorbing set of nine tracks for those in search of seductive and splendid instrumental Music. Enjoy.

read less 
read more 


not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.

Leave a feedback about this post, or don't.
your sweet name:

your IMPORTANT text:


icon: will be resized 30x30pxl