Ok, viene da fare per forza il paragone, e dopo i primi 23-24 ascolti non è facile, meno male che ci sono pezzi strabilianti tipo Dublino o Capire Settembre la cui ossessività chitarristica emozionale sull'inizio è talmente intensa che sembra quasi gothica, per dire.
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After all, our one-sided love affair with Fine before you came is also managed to make us understand how people feel when they're on train, and someone gets close listening to Fabri Fibra or any Balkan music at loud volume through the speaker of their cellphone.
Since they released Sfortuna, we feel a bit like Tyler Durden and we don't really realize we're singing it too loud, even whining à la Crash Test Dummies. In public, outdoor, as well in office.
Sfortuna is the best italian record of latest 23, 24 years, after all.
Now, once they got their work done, we're pretty firm about how Fine before you came may feel, heavy head à la Tarantino after Pulp Fiction, and how ended to film Jackie Brown, mica cazzo.
That's why, more than looking to double the perfectionism of a general and complexed alchemy, with Ormai, ours work on details and specific aspects of a narrative construction, full of cutting flashback, like Last Year at Marienbad - Alain Resnais.
Ok, of course, a comparison is due, and after the first 23-24 plays is not easy, thank goodness that there are amazing tracks like Dublino as well as Capire Settembre, whose the obsessive emotional guitar on the beginning is such so intense that it sounds goth, let's say.
More than sharing something the key of Sfortuna, those two songs totally match with the idea of something truly awesome and perfect in general.
Maybe not all of the tracks from this record have this impact, but each chorus is almost perfectly amazing, - I'll say more, - emphasis and heat give almost the idea of a post-emo, screamo version of Diaframma, like singing all one above the other.
Probably our pal Iacopo is not pleasant as Fiumani, but it is like he's got the strenght of attracting the good intentions of the whole scene.
It is also pretty amazing that in Ormai, even if they play a load of winning riffs, they manage to preserve a taste for lost and stainless steel battles.
7 tracks on Sfortuna, 7 on Ormai, changing the order of the operands does not change the end result.
not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.
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