PLEASE NOTE: This website uses cookies to help us give you the best experience when you visit our website.
By continuing to use this website, you consent to our use of these cookies.
Close this one-time pop-up message to accept, or learn more about it: visit https://www.cookiechoices.org/#resources
got cookie, THANK YOU!
Journal RSS journal posts · 2020 · 2019 · 2018 · 2017 · {and before that

Nastro

Live @ Mads, 22 aprile 2010, ingresso 5 euro

https://www.inkoma.com/k/2916

w/ Bandwith

 | pall youhideme
permanent link copied to clipboard
Unfortunately I forgot my camera at home, - blame on me.
Rainy night, notwistanding that, the venue was somewhat peopled, - the first show started around 11.30pm with Bandwith on stage, - a young unsigned band from nearby Rome, a hard-kicking three guys, lot of noise, feedback and long lines of gears/effects, - memories of 90s noise bands of Skin Graft rec and some more modern stuff à la Holy Fuck, american school, anyway - alternating guitars, bass to synths and viceversa, - a drummer/hammer, restless and lifeblood, à mon avis, band's adrenaline.
Maybe too much static and mono-chaotic after about 40 minutes of show, yet deserving attention.

Nastro del ciel, canto di vin.

I love Nastro, [read past reviews] - I can't hide I'm close friend with some of Them, and generally I stay away from attending friends' live shows just because you're friends, - I hate this kind of "friendship means sacrifice", - if I don't like a certain kind of music, done, I don't.
Luckly, this is not the case, - Nastro are really a very good live Band, - They have an animalesque front-man, Manuel Cascone, also bass/synth player, - contortionist dancer, jumper, too, - He totally loses himself in performing live: He turns like possessed, - and after about 20 minutes He was already hanging from the roof and singing/screaming, - let's say He's someone able to get Your attention properly.
Sort of Pere Ubu, Kraftwerk vs. James Chance, with a beautiful red jaguar guitar threated like a cheese grater, synths motionless played (sometimes also kissed), groovy electronic and no-wave obsessive live drumming, - with special mention for the epileptic attack and ride of Frate Ubu, the hypnotic Velocità/Uuu, IMQ, the sexomatic Cestino di frutta.
The show ended with a final encore, Nella sala video. I totally enjoyed the show.
read less 
read more 

Feedback:

not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.

Leave a feedback about this post, or don't.
your sweet name:

your IMPORTANT text:

url:

icon: will be resized 30x30pxl