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Journal RSS journal posts · 2022 · 2021 · 2020 · 2019 · {and before that

Container 47


(7tx cd - 22'37'' - Loretta rec. 'o3)

 | pall youhideme
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Container 47 - s/t | Review
I  Container 47 sembrano voler aver tutta intenzione di suonare obliqui e rancidi, ma inequivocabilmente sono rimasti folgorati dall'ascolto delle chitarre macellate d'effetti dei Sonic Youth, da Goo a Jet Set Trash And No Star, sempre senza abbandonare però una matrice rock, anzichè no-wave. Il pezzo che apre, Sulphuric Encephalon, è, insieme alla strumentale che chiude, l'episodio + aspro e particolare: elettrici, turbinanti ma controllati, rallentano solo x tessere qualche paesaggio acquatico/noise/acido_psichedelico (il centro di Mother's Water, o l'ottima fuga di Kill Me), mentre la voce di Manu (anche ad una delle chitarre) viaggia su microfono distorto piangendo disilluso le sue strofe. - Sicuramente + d'effetto e selvaggi dal vivo che in studio, - secondo me, - e la Loretta rec non è nuova a buone produzioni (Senpai, Prague, cerca su koma x + info).


Container 47 totally wish to sound oblique and rancid, but without any shadow of doubt, They've been struck by slayered guitars under efx à la Sonic Youth, from Goo to Jet Set Trash And No Star, - but They are in a rock matrix/root, and not of no-wave origin. Opening track, Sulphuric Encephalon, is together with closing instrumental one, most particular and sour: electric, swiriling, but under control, - They use to slow down to drawn some underwater/noise/tart_psychedelic soundscapes (center of Mother's Water, or excellent escape on Kill Me), while Manu's voice (playing one of two guitars too) runs on distorted microphone, crying disenchanted his lyrics. - Surely They catch more feeling performing live, wilder too, - so i guess, - and it's not first time for Loretta rec They do a production worth people's attention.
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not yet, probably nobody cares, or nobody cared enough to tell something. Also: nobody reads komakino.

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