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Journal RSS journal posts · 2020 · 2019 · 2018 · 2017 · {and before that

Slicnaton

Basendrums

https://www.inkoma.com/k/2470

(13tx CD, 5o'34'' - Extemporate rec 'o9)

 | pall youhideme
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Nicholas Slaton and Ian Davis, USA, North Carolina, shaped in a unique form taking name basendrums, that is, bass and experimental electronics by the first, fused with the electro/acoustic drums of the latter.
A collection of excellent avant-garde free improvvisation ambient meeting concrete musique, subjected to tension, a vortex of astral sounds beating You in the nape of the neck, and penetrating your head, with broken percussions, often directly filtered through the sound editing (Shote), alien sounds (Perspective, the bees attack in Logs), reversed beats like déjà vues..
There's no much too say, except that these micro-sound barriers create  invisible hypnagogic raptures, perfectly rapresented by Pitch, - suffocated by a sax in Suite Life, - like a symptomatic disturb giving daze and ecstasy (Wrecked) together, night walking through the flashing lights of the city (Into the box) and trying to find a safer place to collapse (Lost).

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Nicholas Slaton e Ian Davis, USA, North Carolina, plasmati in un'unica forma che prende il nome di basendrums, cioè basso ed elettroniche sperimentali del primo, fuse con le batterie acustiche/elettroniche del secondo.
Una collezione di eccellente improvvisazione free d'avanguardia, un ambient che incontra la musica concreta, soggetta a tensione, un vortice di suoni astrali che ti battono sulla nuca e penetrano la testa, con percussioni spezzate, spesso direttamente filtrate attraverso del sound editing (Shote), suoni alieni (Perspective, l'attacco di api in Logs), colpi in reverse che sembrano déjà vues..
Non c'è molto altro da dire, ad eccezione che queste barriere di micro suoni creano uno stordimento invisibile ed ipnagogico, perfettamente rappresentato da Pitch, - soffocato nel sax di Suite Life, - come un disturbo sintomatico che dà confusione ed estasi insieme (Wrecked), mentre si passeggia di notte e le luci della città cominciano a perdere di fuoco (Into the box), e non rimane che cercare un posto sicuro per collassare (Lost).

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