Colonna sonora delle convulsioni, degli attachi dissociativi,
- il tutto ottimo; sorta di apici toccati da Laddio
Bolocko e Psychic Paramount, ma con altri virtuosisimi
math. Free noise, jazz, strumentale, un viaggio di curve a 9o gradi
nella tachicardia, - chitarra e basso che si dividono gli spazi dei
canali L+R e la batteria che si dimena prima donna su movimenti veloci
pirotecnici. A volte delle voci ruggisciscono di non-sense, e attraverso
lo scorrere delle tracce sembra come diminuire l'improvvisazione e
crescere un'idea compatta di ottimizzazione da superGruppo, - che
nonostante l'anonimato dell'artwork del CD (un foglio e caratteri
cubitali) punta all'essenziale dell'impatto: ed è ottimo.
++++++++
Soundtrack for convulsions, for schizophrenic crisis, - all excellent; sort of tops touched in past by Laddio Bolocko and Psychic Paramount, but wiht a different kind of math dexterity. Free noise Music, jazz, instrumental, a trip full of curves at 9o° along tachycardia, - guitar and bass shares the space of L+R channels, and drums run fast as close-up through fireworks movements. Sometimes some vocals roar into non-sense, and as the tracks go on, it seems as the improvisation fades out and a better idea of superGroup grews up, - and notwithstanding the anonymous CD artwork (one sheet with large fonts) this work touch the essential of impact: it's great.
++++++++
Soundtrack for convulsions, for schizophrenic crisis, - all excellent; sort of tops touched in past by Laddio Bolocko and Psychic Paramount, but wiht a different kind of math dexterity. Free noise Music, jazz, instrumental, a trip full of curves at 9o° along tachycardia, - guitar and bass shares the space of L+R channels, and drums run fast as close-up through fireworks movements. Sometimes some vocals roar into non-sense, and as the tracks go on, it seems as the improvisation fades out and a better idea of superGroup grews up, - and notwithstanding the anonymous CD artwork (one sheet with large fonts) this work touch the essential of impact: it's great.
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