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Journal RSS journal posts · 2019 · 2018 · 2017 · 2016 · {and before that

Permanent Fatal Error

Law Speed

https://www.inkoma.com/k/2451

(11tx cd - 43'29'' Wallace rec 'o4)

 | pall youhideme
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Con a testa Olivier Manchion, fu bassista degli Ulan Bator, i Permanent Fatal Error, in quattro, sciorinano propensioni acustiche/analogiche/disturbate, - sorta di malinconica discesa e ribellione, nell'abbattimento e nell'avanguardia Musicale. Chiamiamole stilistiche krautrock (Nord), divagazioni jazz (B.side#2): c'è una continua manipolazione dei tempi, le voci sono degli strumenti lontani, usate sporadicamente, - la musica resta poco definibile - per quanto già sondata nei 7os e revival post_rock -, ed è lasciata libera a se stessa, come sulla poetica di B.side#3. Una serie di diapositive che fermano delle atmosfere, sapientemente evocative in una curata elaborazione.

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Olivier Manchion's new project, bassist with french Ulan Bator, the Permanent Fatal Error, in four, spread out acoustic/analogic/disturbed tendencies, - sort of gloomy free-falls and riot, in losing heart and Music avant-gard. Let's talk about krautrock style (Nord), jazz digressions (B.side#2): there is a continous manipulation of times, voices are like instruments You hear coming from far, rarely used, - and the Music stays hardly classified, - even if these sounds pay a duty to 7o's and various post-rock revivals, - and it sets free with it-self, like on poetic B.side#3. Kind of a slides that fix some atmospheres, wisely evocative and richly produced.
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