Con a testa Olivier
Manchion, fu bassista degli Ulan
Bator, i Permanent
Fatal Error, in quattro, sciorinano propensioni acustiche/analogiche/disturbate,
- sorta di malinconica discesa e ribellione, nell'abbattimento e nell'avanguardia
Musicale. Chiamiamole stilistiche krautrock (Nord), divagazioni
jazz (B.side#2): c'è una continua manipolazione dei
tempi, le voci sono degli strumenti lontani, usate sporadicamente,
- la musica resta poco definibile - per quanto già sondata
nei 7os e revival post_rock -, ed è lasciata libera a se stessa,
come sulla poetica di B.side#3. Una serie di diapositive
che fermano delle atmosfere, sapientemente evocative in una curata
elaborazione.
+++++
Olivier Manchion's new project, bassist with french Ulan Bator, the Permanent Fatal Error, in four, spread out acoustic/analogic/disturbed tendencies, - sort of gloomy free-falls and riot, in losing heart and Music avant-gard. Let's talk about krautrock style (Nord), jazz digressions (B.side#2): there is a continous manipulation of times, voices are like instruments You hear coming from far, rarely used, - and the Music stays hardly classified, - even if these sounds pay a duty to 7o's and various post-rock revivals, - and it sets free with it-self, like on poetic B.side#3. Kind of a slides that fix some atmospheres, wisely evocative and richly produced.
+++++
Olivier Manchion's new project, bassist with french Ulan Bator, the Permanent Fatal Error, in four, spread out acoustic/analogic/disturbed tendencies, - sort of gloomy free-falls and riot, in losing heart and Music avant-gard. Let's talk about krautrock style (Nord), jazz digressions (B.side#2): there is a continous manipulation of times, voices are like instruments You hear coming from far, rarely used, - and the Music stays hardly classified, - even if these sounds pay a duty to 7o's and various post-rock revivals, - and it sets free with it-self, like on poetic B.side#3. Kind of a slides that fix some atmospheres, wisely evocative and richly produced.
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