The Patriotic Sunday
Lay Your Soul Bare
(11tx cd, 5o'o8'' - Collectif Effervescence rec 'o5)
| pall youhideme
Progetto solista di un giovane ragazzo
francese di 21 anni, Eric Pasquereau, altalenante
tra il folk e l'alternativa di quel movimento esistente o meno che
vede in cima per notorietà i Kings of Convenience.
Abbraccia la chitarra acustica o gli arpeggi di un'elettrica, - il
tutto su passeggiate pacate, digressioni, - umori di prime ore della..
domenica, giustamente. Racconta le sue storie ed emozioni, con la
voce melodica dolce, calibrando bene la respirazione per toccare una
speciale enfasi. Alcuni violini compaiono su Amazing Steal,
e all'improvviso quando si pensa di aver capito le intenzioni
di Eric, arrivano invece delle leggere percussioni,
fiati e piano a descrivere la poesia su I've been waiting since
september, e One Too Many Secrets, con uno speciale
retrogusto jazz. Su Maybe Anna Was Right e la chiusura con
Happy Endings figura la scintilla di una mente brillante.
La memoria corre anche ad alcune perle di Joan
Of Arc.
++++++++
Solo project of a young 21 yrs old french guy, Eric Pasquereau, swinging between folk and alternative moods of that real or not movement seeing at top of notoriety Kings of Convenience. He handles his acoustic guitar or riffs of an electric one, and everything goes on quiet promenades, digressions, - early hours.. sunday moods, of course. He tells his stories and emotions, with a sweet melodical voice, calibrating breath and heart to touch a special emphasis. Some violins features on Amazing Steal, and suddenly, - when You think You understood Eric's intentions, here You are some light percussions, wind instruments and a piano describing I've been waiting since september, and One Too Many Secrets, with a particular jazz after-taste. On Maybe Anna Was Righ and last piece Happy Endings You can easily feel the warmth of the sparkle of this brilliant mind. Memories run also to some gems of Joan Of Arc.
++++++++
Solo project of a young 21 yrs old french guy, Eric Pasquereau, swinging between folk and alternative moods of that real or not movement seeing at top of notoriety Kings of Convenience. He handles his acoustic guitar or riffs of an electric one, and everything goes on quiet promenades, digressions, - early hours.. sunday moods, of course. He tells his stories and emotions, with a sweet melodical voice, calibrating breath and heart to touch a special emphasis. Some violins features on Amazing Steal, and suddenly, - when You think You understood Eric's intentions, here You are some light percussions, wind instruments and a piano describing I've been waiting since september, and One Too Many Secrets, with a particular jazz after-taste. On Maybe Anna Was Righ and last piece Happy Endings You can easily feel the warmth of the sparkle of this brilliant mind. Memories run also to some gems of Joan Of Arc.
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