La Musica surf mi ha sempre portato con l'immaginazione alla famiglia Munsters,
non so propriamente perchè: Lily, Herman e parenti che ballano tra
ye-ye e rockabilly. Ma questa è una mia fantasia erotica personale.
Forse era la sigla su questa riga.. me la sto riascoltando.. ma è
troppo 6o's, sfiora il lounge... - Cmq, i Bradipos IV sono della riviera nostrana invece (Caserta, LA), ma spuma, schizzi, sabbia, odorano oceano, e quindi tavole/chitarre made in usa, e con scintilla anche, surfando combo tra Cramps (senti Eagle's Key) e Tito & Tarantula (avete presente la band di vampiri su Dal Tramonto all'Alba con Tarantino?), per buttare due nomi non essendo pratico di icone surf. Senza contare che reinterpretano a sorpresa sulla seconda traccia e con gusto Morricone nel motivo di Per Un Pugno di Dollari. - Sparano invece veloci velocissimi su la tiratissima L'Inseguimento (capolavoro? altro che Bradipi), e quando inseriscono una linea di sax sulla cover di Summertime (by Gershwin, presa da un concerto, - un'atmosfera buia e sexy malata da laptop dancer) o la tromba su Night on the Vesuvius guadagnano di malinconia e borse sotto gli occhi da notti in bianco. Accattivanti, song-writing brillante (Playa Inferno),
hammond e piano rhodes su un paio di tracce a descrivere la calma
piatta delle onde di sera, il tutto sotto un'attitudine che viaggia
molto più punk di tanti tatuaggi e creste, come sulla matematica bassa
di Surfidia, - un tessere di arpeggi e giri vorticosi su tremolo e riverbero. - Godibilissimi, da ballare, anche.
++++++++++
Surf Music always drives my imagination to the Munsters family, - exactly i dunno why: Lily and Herman with relatives dancing on ye-ye and rockabilly tunes.. but this is one of my personal erotic fantasies.. - maybe it was because of the original score, on this line.. i'm just giving a listen to see.. no, it calls too much 6o's mainstream music, toucing lounge melodies.. - By the way, Bradipos IV are from our local seaside, Caserta (closed to Naples), but water, foam, sand smells like ocean, and then planks are made in usa, and with a special sparkle indeed, surfing combo Music between Cramps (listen to Eagle's Key) and Tito & Tarantula (do You remember of the vampire band in From Dusk Till Dawn with Tarantino?), just two quote a couple of Names, seen i'm not into this kind of Music. - They play a good cover of Morricone score from A Fist Full of Dollars at second track from this cd, and then They shot ultrafast through L'Inseguimento (who said Bradipos?), and when They add a line of sax on Their version of Summertime (by Gershwin, live take, - an atmosphere dark and ill-sexy, lap-dancer_like), or trumpet on Night on the Vesuvius, They gain in melancholy and bags from a night spent awaken. Catchy, brilliant song-writing (Playa Inferno), hammond and rhodes piano to enrich a couple of tracks, to better describe low calm of ocean at night, - all under an attitude much more punk than many tatoos or crust, - like low mathematics of Surfidia, - weaving guitar riffs and swirling solos on tremolo and reverb. - Good indeed, press play and dance too.
++++++++++
Surf Music always drives my imagination to the Munsters family, - exactly i dunno why: Lily and Herman with relatives dancing on ye-ye and rockabilly tunes.. but this is one of my personal erotic fantasies.. - maybe it was because of the original score, on this line.. i'm just giving a listen to see.. no, it calls too much 6o's mainstream music, toucing lounge melodies.. - By the way, Bradipos IV are from our local seaside, Caserta (closed to Naples), but water, foam, sand smells like ocean, and then planks are made in usa, and with a special sparkle indeed, surfing combo Music between Cramps (listen to Eagle's Key) and Tito & Tarantula (do You remember of the vampire band in From Dusk Till Dawn with Tarantino?), just two quote a couple of Names, seen i'm not into this kind of Music. - They play a good cover of Morricone score from A Fist Full of Dollars at second track from this cd, and then They shot ultrafast through L'Inseguimento (who said Bradipos?), and when They add a line of sax on Their version of Summertime (by Gershwin, live take, - an atmosphere dark and ill-sexy, lap-dancer_like), or trumpet on Night on the Vesuvius, They gain in melancholy and bags from a night spent awaken. Catchy, brilliant song-writing (Playa Inferno), hammond and rhodes piano to enrich a couple of tracks, to better describe low calm of ocean at night, - all under an attitude much more punk than many tatoos or crust, - like low mathematics of Surfidia, - weaving guitar riffs and swirling solos on tremolo and reverb. - Good indeed, press play and dance too.
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