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Journal RSS journal posts · 2019 · 2018 · 2017 · 2016 · {and before that

Ex Models

Chrome Panthers

https://www.inkoma.com/k/2159

(6tx ep, 27'o3'' Psychotica + X-Mist rec 'o5)

 | pall youhideme
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Mettete sù un disco degli Ex Models (leggi anche recensio 15/nov/o4) e i rapporti con il vicinato potrebbero incrinarsi. - Ciò non toglie che questo noise industriale e spastico brilli, brilli di una follia costantemente nervosa, forte di convulsioni di feedback e percussioni. - Radici no-wave, chitarre picchiate, Devo e Teenage Jesus and the Jerks insieme, e scatti in epilessia delle voci, spesso in un falsetto isterico. - 6 nuovi episodi che formano un Ep a tiratura limitata, dove si aggiunge poi Kid Million, già batterista degli Oneida. - 6 tracce che oltrepassano felicemente e con divertimento l'inascoltabile, toccando l'autismo del suono sincopato. Non c'è quiete per gli Ex Models. Aprono con 15 secondi di silenzio, quindi un accenno di carillon, e quindi l'arrivo della sei corde macellata. - Poi i 5 minuti di rumore di fabbrica di That's funny i don't feel like a Shithead (esito di una breve crisi di coscienza?), il martellamento di Munity e il disco sino alla fine di Chrome Hearts continua a correre a zig-zag irriverente nel magistrale di un aplomb aritmico e punk.
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- You may risk to ruin Your relationship with the neighbourhood if You play some Ex Models' records. [read past review of 15/nov/o4] - That doesn't mean that this industrial and spastic noise Music is not shining, shining of a madness constantly nervous, strong of convulsions of feedback and drumming. - No-wave roots, guitars beaten up, Devo plus Teenage Jesus and the Jerks together, and voices of epilepsis, often in a hysterical falsetto. 6 new episodes, forming an Ep in limited edition, featuring also Kid Million, currently drummer for Oneida. 6 tracks happy to exceed in harsh inhaudible, touching autism of syncopated sounding. There's no quiet for the Ex Models. Opening with 15 seconds of silence, then You can hear a hint of carrillion, suddenly suffocated by a slaughtered guitar. Then 5 minutes of factory-like noises with That's funny i don't feel like a Shithead (maybe an answer to a conscience crisis), the hammering of Munity, and the album goes on till the end of Chrome Hearts in a fast zig-zag run of an aplomb arithmical and punk.
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