Rosolina Mar
Before and After Dinner
(12tx cd, 37'58'' - Wallace & Robot radio rec 'o5)
| pall youhideme
Un anno dopo il precedente s/t [leggi komarecensio], ritornano i veronesi Rosolina Mar, con un passo più deciso, dove pur mantenendo la passione per titoli meta-demenziali (Domenica Mattina la Benedizione dei Trattori, Mingozo di Mongozo),
si tuffano meglio che prima negli elettrici anni 7o, specie
nell'imperversare sul wha-wha, quasi sforando nell'acid caro agli
inseguimenti alla Harry Callahan, per quanto resti ancora dietro l'angolo il canale mono del miglior funk. - Senti in merito Isa Eyes, unico brano dove s'introducono a tradimento due parole di cantato, - o le brevi et intense Tuttopapetti e Protopapetti. Poi mentre la title track come Car Patch (D-tone) piegano più sul lato free-jazz delle due chitarre e batteria, Flesh Dance tocca
la scuola fusion, mettendo da parte le malinconie e focalizzandosi
invece sull'eccitazione dei cambiamenti della sezione ritmica. [see
below for mp3]
++++++++++++++++++++
One year after previous s/t full-lenght [read past komareview], italian Rosolina Mar are back with a more decisive step into 7o's electricity. - Notwistanding the same past passion for half-demential titles; They dive into wha-wha driven suites, almost embracing acid jazz in some hot pursuits à la Harry Callahan, even if it stays still after behind the corner the warm splendour of funky mono. - Regarding, listen to Isa Eyes, unique track with two words vocals, - or short and intense Tuttopapetti e Protopapetti. Then, while the title-track as well as Car Patch (D-tone) turn on the free-jazz side of two guitars & drums ensemble, Flesh Dance brush by the fusion music school, putting aside melancholy, but focusing on excitement of the rythm section changes.
¬mp3s (via Wallace rec):
o5. Flesh Dance
++++++++++++++++++++
One year after previous s/t full-lenght [read past komareview], italian Rosolina Mar are back with a more decisive step into 7o's electricity. - Notwistanding the same past passion for half-demential titles; They dive into wha-wha driven suites, almost embracing acid jazz in some hot pursuits à la Harry Callahan, even if it stays still after behind the corner the warm splendour of funky mono. - Regarding, listen to Isa Eyes, unique track with two words vocals, - or short and intense Tuttopapetti e Protopapetti. Then, while the title-track as well as Car Patch (D-tone) turn on the free-jazz side of two guitars & drums ensemble, Flesh Dance brush by the fusion music school, putting aside melancholy, but focusing on excitement of the rythm section changes.
¬mp3s (via Wallace rec):
o5. Flesh Dance
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